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The practice of humanities is alive and well—just not in the spaces you’d necessarily expect

American college campuses are roiling with sweeping changes, and the arts and the humanities are no exception. Among other news of declining enrollments and shrinking job prospects, the humanities are also facing claims of politicization and the systematic dismantling of departments and programs. Meanwhile, humanities field advocates are working to address this perception shift by engaging the public on the relevance of humanistic skills for understanding complex, real-world issues, from societal equality to changes spurred by new technology.

This all comes at the same time we’re approaching a new crossroads with artificial intelligence, a significant opportunity for the humanities to reexamine what it means to be human and redefine their role in society. For decades, we trained ourselves to speak the language of machines—learning to code, translate, and adapt our thinking into computational frameworks. Now AI has reversed this dynamic, effortlessly translating human speech and text into code. The convenience brought forth by AI means that we are no longer constrained by limited access to vast amounts of scholarly knowledge and qualitative data. Rather than diminishing the humanities, these tools can enhance our capacity for sustained inquiry, potentially returning the humanities to their original function as a centering, imaginative force, and fostering a more engaged and thoughtful citizenry.

Rather than diminishing the humanities, these tools can enhance our capacity for sustained inquiry, potentially returning the humanities to their original function as a centering, imaginative force, and fostering a more engaged and thoughtful citizenry.

At their core, the humanities are about sense-making and meaning. They illuminate art, technology, history, and culture through language and interpretation—not merely recording reality, but engaging with and challenging it. While AI excels at summarizing and sorting information, the ability to analyze, question, and make meaning from that information, rooted in lived experience, still remains the domain of humans, and the humanities—whether inside or outside the classroom.

Harmony Labs conducted research to understand how people really experience the humanities in daily life. By mapping public attitudes about the humanities in media culture, we aimed to help the wider field of advocates and practitioners working to support the humanities develop strategies to increase humanistic practice among all people. We found that while the value of the humanities may be contested, humanistic practices show up everywhere, including in popular media.

Humanistic pursuits are surprisingly widespread.

According to a 2020 Humanities Indicators Project survey, 95% of people occasionally engage in humanistic practices, whether through attending book clubs, posting media reviews online, or watching shows about history. And this is reflected in media culture as well. In the news and on YouTube, cultural analysis is thriving in non-academic contexts—from political critiques and stories about artistic intent to deep-dives on pivotal historical moments shaping the modern world. A video essay by creator StoryDive, which explains the relationship between filmmaking and folklore in Studio Ghibli’s Princess Mononoke, was especially resonant with different audiences.

Online engagement with the humanities is robust and diverse.

Our research surfaced six audiences who experience the humanities in different ways, all dependent on their core values, their perception of the humanities, and how they practice them—even if they don’t overtly seek them out. They vary widely in their affinity toward and “way into” the humanities, from those who practice the humanities indiscriminately, to those who predominantly listen to podcasts, read voraciously, or study the Bible, all the way to those who are skeptical of traditional academic approaches.

Mellon_Humanities_Research Report_20250314_map.jpg

While the research surfaced key findings for each audience, in particular, the Avid Analysts, Culture Enthusiasts, and Autonomous Achievers are each uniquely positioned to impact public perception of the humanities—and may be strategically important to practitioners and advocates seeking successful narrative intervention strategies.

  • Avid Analysts are natural humanities champions who approach the world as both insiders and analytical observers. They are video-first in their media consumption, frequently visit museums, festivals, and events, and believe that the field “opens doors to many creative jobs in the future.”
  • Culture Enthusiasts are accidental humanists who are less likely to know what the humanities are—but practice them anyway. As cultural omnivores who listen to audiobooks and attend book clubs, they see the role of the humanities as “helping students understand themselves and others and the world.”
  • Autonomous Achievers don’t see the humanities as relevant, yet engage in humanistic practices such as investigating or arguing a position. They think of the ability to write, persuade, and understand other perspectives as practical tools for advancement, and are curious about what holds them back.

Open the aperture.

Our biggest learning from this research is that as contested as their value may be, the humanities not only enrich personal lives, but foster increasingly valuable skills in the evolving workforce: innovative problem-solving, creativity, asking “why not?” and “what if?”, and an ingenuity that requires thinking beyond the known and expected.

In this moment of intense technological change and political division, the humanities reinforce the need for complex critical thinking, whether in addressing ethical design challenges or making policy decisions that impact entire communities. Rather than becoming obsolete, they are essential for guiding us to ask meaningful questions, interpret the unending deluge of data, and imagine futures worth striving for.

You can read more about the insights we uncovered in the full report, Humanities Unbound, here.

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