2024-11-20
Thanksgiving is particularly tense during election season, and this year is no exception. Yet discordant times make leaning into family gatherings matter even more.
Most of the time at Harmony Labs we focus on learning how people are different from each other by looking at how they assemble into media audiences. Analyzing what people consume helps us understand where they come from, and where there may be bridging opportunities. In aid of your Thanksgiving survival, we analyzed what audiences that are most distant in their values have in common in their TV consumption.
We cannot solve your family dysfunction in a blog post. But we can tell you how we train media makers to connect with audiences they don’t understand yet.
Make a connection. Beginning with an understanding of who you’re talking to can help, so begin by taking our audience quiz yourself and imagining from the audience profiles who you’re talking to. Use the profiles to think about what events in your family members’ lives have shaped them and how their worldviews and heroes show up in the stories they love.
Pick a story. Choosing stories as a way to connect with family is low stakes because no one needs to be right. We can all see different things in the same stories, and, when it’s a story about a world far, far away, those differences in perceptions can feel fun rather than existential.
Build a bridge. Resist the urge to be correct or to resort to critical consensus when you respond (“ugh, that show is terrible” or “The Tomatometer on that was 3%!”). If there’s one thing we’ve learned, it’s that “good” and “bad” and “true” and “false” aren’t useful ways of talking about stories. What’s important is what touches something in us and why.
Based on this, below we make a few recommendations for what shows you might safely be able to talk about and find common ground in.
The audience we call People Power care about community. Their superpower is caring about the Earth for its own sake and about people they don’t know. They watch dramas about people who succeed in or are corrupted by rigid social structures like House of the Dragon, Bridgerton, and Suits.
The audience we call Don’t Tread on Me care about command and authority. Their superpower is action in an emergency. They watch thrillers with individual, maverick heroes who break just the right rules at the right time to save the day like Trigger Warning, One More Shot, and The Equalizer.
These two audiences have a hard time connecting because they care about very different things, but high-concept, high-stakes shows about systems and leadership can form a bridge:
What People Power Likes | Shows in the Middle Ground | What Don't Tread on Me Likes |
---|---|---|
Complex consequences of decisions | Psychological character studies like The Queen's Gambit, Mindhunter and Oppenheimer examine brilliant individuals wrestling with complex moral questions and psychological burdens. | Excellence |
Intricate schemes, sometimes with double-crossing | Not-so-procedural mysteries like Monk, Elementary, and Elsbeth require outsiders to untangle multilayered mysteries and expose corruption but never betray us by turning our flawed heroes into villains. | Clear-cut good and bad guys |
Equity | Leadership portraits like Star Trek: Discovery, Rings of Power, and Black Sails feature stories where leaders grapple with the classic liberal democratic tension between serving the majority and protecting the minority. | Leadership |
The audience we call If You Say So cares about autonomy. If You Say So’s superpowers are enjoyment and excitement (known to the less enjoyment-gifted among us as “fun”) and skepticism or the insistence on researching and knowing for themselves. They watch animation, including animation made for young audiences like Shrek and for adults like Family Guy. They are especially drawn to main characters who transgress or break rules in order to achieve for themselves and provide for their families, like the characters in Shameless.
The audience we call Tough Cookies care about the opposite of autonomy: social order. Tough Cookies’ superpowers are helping through service and keeping traditions. They watch law enforcement procedurals like Law and Order: SVU and The Equalizer, daytime dramas like The Young and the Restless, and cozy family sitcoms where everything comes out OK like Reba and The Nanny.
These two audiences can also feel far apart, but stories where exceptional individuals help navigate dangerous or messy situations to solve problems can bring them together:
What Tough Cookies Likes | Shows in the Middle Ground | What If You Say So Likes |
---|---|---|
Keeping the family together | Families under siege like those in Divorce in the Black, The Family Business, and 8 Mile address what happens in families when things get messy, featuring transgressive characters and the impact of their choices on their families and their own fates. | Transgression |
Heroes who protect us | Ensemble superhero media like The Flash, The Incredibles and Teen Titans Go! are wholesome, co-watchable stories about alternate realities where gifted individuals explore the balance between their unique powers and greater responsibilities. | Exciting, imagined universes |
Following the rules | High-stakes first responder narratives like Station 19, The First 48 and New York Undercover navigate dangerous assignments full of adrenaline-packed moments that emergency response work entails, while also exploring the inherent gray areas of law enforcement. | Stimulation |
If these aren’t the stories you can connect through, there will be others. Try asking everyone what movie had the biggest impact on them or whether they’ve seen any of these. And try asking who their favorite character is.
We don’t think that asking “so, what is everyone watching on TV” is a recipe for healing all that ails us, but it’s a great way to understand the people in our lives who can, at times, seem so different from us. And, on top of that, you will end up with a watchlist for when you’re streaming and chilling with leftovers on Friday.